Echo and The Bunnymen - Ocean Rain - Review
← 541 album.png 543 →

critics' view

If the songs that weren’t the singles sometimes seem that they never could have been, they always manage to sound perfectly in place with the ones that were - the hits in comparison weren’t upfront or unique, just more immediately of notice. There’s the elegant strut of 'Nocturnal Me', pitching things softer and more focused on the chorus instead of the reverse, or the way 'My Kingdom' has each verse line suddenly climb up then ease down, then builds each chorus to a sudden thrilling peak. 'Crystal Days' and its descending guitar line that showcases the psych freak always at the heart of Sergeant’s playing, broken up by de Freitas on the break with a gleeful but always tuneful clatter, a percussive melody, might be my sleeper favourite this time around. Ask me again next time, maybe it’s 'The Yo-Yo Man'. I like it when an album is an embarrassment of riches and can’t make me obviously decide, when it shouldn’t to start with.

read Ned Raggett's full review at The Quietus external-link.png

The Quietus is a British online music and pop culture magazine founded by John Doran and Luke Turner. The site is an editorially independent publication led by Doran with a group of freelance journalists and critics. The Quietus primarily features writings on music and film, as well as interviews with a wide range of notable artists and musicians. The magazine also occasionally includes pieces on literature, graphic novels, architecture, and TV series. The website is edited by John Doran, who claims that it caters for "the intelligent music fan between the age of 21 and, well, 73". Its staff list includes former writers for publications such as Melody Maker, Select, NME and Q, including journalist David Stubbs, BBC Radio 1 DJ Steve Lamacq, Professor Simon Frith and Simon Price among others. external-link.png
twitter.png facebook.png

Care to share?

(if so, thanks!)

© The Jukebox Rebel 2005-2020. All rights reserved. Third-party trademarks and content are the property of their respective owners, and subject to their own copyright terms and conditions. See the website links provided in each case.