Ice Cube - The Predator - Review
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critics' view

The Predator was released on November 17, 1992. It went straight to the top of the US Billboard chart and would sell over 3 million copies worldwide. For me, despite my continued issues with key aspects, The Predator is one of the finest rap albums of all time. Great art should define a certain period or a particular mood - The Predator brutally outlined the post-riot landscape of Los Angeles. At the time, Lollapalooza tour buddy Perry Farrell would call Cube “the black Bob Dylan.” Twenty years on, it’s hard not to contrast The Predator with the UK’s musical output post our 2011 riots. Instead of anything as bold as Ice Cube’s flawed masterpiece, we got a lecture on hoodies’ rights from Plan B on his Ill Manors album. I know which I prefer. In 2012, Ice Cube’s best solo album remains an essential listen. Back in 1992 it made me think – long and hard. It still does.

read John Freeman's full review at The Quietus external-link.png

The Quietus is a British online music and pop culture magazine founded by John Doran and Luke Turner. The site is an editorially independent publication led by Doran with a group of freelance journalists and critics. The Quietus primarily features writings on music and film, as well as interviews with a wide range of notable artists and musicians. The magazine also occasionally includes pieces on literature, graphic novels, architecture, and TV series. The website is edited by John Doran, who claims that it caters for "the intelligent music fan between the age of 21 and, well, 73". Its staff list includes former writers for publications such as Melody Maker, Select, NME and Q, including journalist David Stubbs, BBC Radio 1 DJ Steve Lamacq, Professor Simon Frith and Simon Price among others. external-link.png
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