Laibach - Opus Dei - Review
← 602 album.png 604 →

critics' view

Slovenian act Laibach have always been a controversial group, appearing sometime in the early 80's as part of the Neue Slowenische Kunst art collective throughout their career they have flirted with all kinds of provocative and confusing political statements that have had them accused of both left-wing and right-wing sympathies at times. Whether through adopting a camp totalitarian aesthetic to their image by wearing uniforms, performing live shows as political rallies, subverting the themes of western pop music through their unusual covers or the Wagnerian influence over their music Laibach has always thrived on being a provocative force.

Opus Dei is perhaps the groups most well known release, primarily on the strength of its title single (a cover of Live Is Life by pop group Opus) and it's incredibly camp music video which if anything goes to great lengths to prove one thing: nothing will ever be more epic than caribou on the mountain. Watch it and see. Every track here is an exceptionally strong exercise in martial industrial and neo-classical, from Geburt einer Nation (a cover of Queen's One Nation) to F.I.A.T to The Great Seal (later adopted as the official NSK state national anthem, long story) the militaristic feel of Opus Dei in it's pounding drums, crowd chants, use of classical samples and the throaty, deep vocals of Milan Fras manages to be both hilarious and captivating all at once.

Leben heißt Leben is the German language version of the English cover of Live Is Life, distinguished by well, being spoken in German and having a natty guitar solo towards the later half. Geburt einer Nation kicks some serious ass, with an iconic organ sample, a crowd chanting and the sound of gunfire a stomping military march of an unrelentless rhythm ensues. Leben - Tod has a similar kind of tone but is a little more restrained with a chugging riff driving it. F.I.A.T. is one of my personal favourites, opening with an incredible classical section the main rhythmic part of the song is very moody in tone, with a lone sample speaking of the desolation of war - "You are in black darkness and confusion, You have been hugger, muggered and carom-shotted into a war, and you know nothing about it. You know nothing about the forces that caused it, or you know next to nothing. You are not to win this war. Yon cannot win this war."

It is a very atmospheric track. The rest of the music on offer here showcase the prowess of Laibach in conjuring up militaristic sounding industrial compositions, spiced with enough of a hint of classical pompousness to sound almost cartoonish in delivery but also something else, passionate. The Great Seal is an important track not only for Laibach but for the cultural art movement of Neue Slowenische Kunst they grew out of enough to be adopted as it's official anthem, capturing their whole philosophy in just a few lines: "We shall go on till the end, We shall fight on the seas and oceans, We shall fight with growing confidence and brave strength in the air, We shall defend our island, whatever the cost may be. We shall fight on the beaches, We shall fight on the landing grounds, We shall fight on the fields and in the streets, We shall fight on the hills… We shall never surrender."

Heavy stuff. The swell of strings that follows these lines is some of the most heartfelt, gorgeous music I have ever heard…. and so ends the album. Unless you have the edition with a few extra bonus tracks, all of which range from not bad to good. I won't judge Opus Dei by these however. Opus Dei is a masterpiece of its genre. There is no band quite like Laibach, and assuming a love it or hate it type of relationship the average listener will find with this group they are at least worth checking out once.

Sputnik Music external-link.png

Sputnikmusic is a music community website offering music criticism and music news alongside features commonly associated with wiki-style websites. The format of the website is unusual in that it includes both professional and amateur content, distinguishing it from professionally written music websites such as Pitchfork Media and Tiny Mix Tapes, as well as collecting and presenting a wiki-style metadata database in a manner comparable to Rate Your Music and Discogs. external-link.png
twitter.png facebook.png

Care to share?

(if so, thanks!)

© The Jukebox Rebel 2005-2020. All rights reserved. Third-party trademarks and content are the property of their respective owners, and subject to their own copyright terms and conditions. See the website links provided in each case.