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First heard on the Brasil 2Mil compilation, the late Suba was part of a new generation of South American musicians (although he was originally from Central Europe) who married airy melodies and percussion with the electronic scene. His music worked especially well because he was a trained musician, and he contributed not only programming but also keyboards to this record. Aided by various vocalists and percussionists, he created grooves that were a million miles from Latin dance but spoke both to Brazilians and club goers. There was a lushness to his sound that captivated, and when the percussion exploded, it came on like fireworks, not a firestorm. This is the sound of one of the world's biggest cities, where darkness can lurk even under the blue skies. It's a shame there'll be no more music from Suba.
Chris Nicksonamazon.com (editorial review)
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